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Steven Spielberg: A Life in Films
PDF Download Steven Spielberg: A Life in Films
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Audible Audiobook
Listening Length: 6 hours and 38 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Tantor Audio
Audible.com Release Date: January 3, 2017
Whispersync for Voice: Ready
Language: English, English
ASIN: B01NGZUJQ2
Amazon Best Sellers Rank:
This book is an excellent account of the great Steven Spielberg's life events, thoughts and feelings as they are expressed mainly through an analysis of all his films!
very good read
I’m of two minds about Steven Spielberg. I share the general belief that he’s a brilliant showman. I think that "Jaws," for example, might be the best adventure film ever made. On the other hand, I hold Spielberg largely – if indirectly – responsible for the sorry state of Hollywood today, with its glut of “franchise†movies and over-emphasis of special effects. Not to mention studios’ “will teenage boys like it?†marketing mentality.The publisher was wise to assign this short-but-insightful Spielberg biography to Haskell, a renowned critic who appreciates the filmmaker’s talent and influence but is not, by her own admission, a die-hard fan. Haskell’s chapters are chronological, linking Spielberg’s personal life and evolution to the plots and themes of his movies. I didn’t always agree with her evaluations, but her prose is unfailingly thought-provoking.To me, the book is most interesting in the chapters about early Spielberg, when the wunderkind was setting the world on fire with energetic, imaginative blockbusters like "Close Encounters of the Third Kind" and "Raiders of the Lost Ark." Later films like "Empire of the Sun," "Amistad," and "Lincoln" might hold more appeal for a serious analyst like Haskell, but I’ve always felt that when it comes to a Steven Spielberg movie, popcorn is more palatable than polemics. – grouchyeditor.com
Molly Haskell tackles the task of outlining the correlation between Spielberg's films and own life story - evident when following his interviews. "E.T.: The Extra Terrestrial"; "Indiana Jones and the Last Crusade"; and "Catch Me If You Can" openly reflect Spielberg's own life story, which Haskell does an excellent job of articulating, whereas pictures like "Amistad" and "Munich" are a product of his own agendas. My copy is still dripping yellow ink from all the highlighted marks.Sadly, the Academy Award inaccuracies ("Saving Private Ryan" did not win Best Picture; Chiwetel Ejiofor did not win Best Actor for "12 Years A Slave") are unforgivable - yet that mistake reflects poorly on the editing team. Direct blame to Haskell is unwarranted. "Saving Private Ryan" losing Best Picture remains the greatest faux pas amongst the Spielberg fans, and it shows a lack of interest on the part of the publishing team for not knowing one of the hot-button-issues on it's subject.Personally, while Haskell should be commended for giving extensive treatment to "Indiana Jones and the Kingdom of the Crystal Skull" and "Bridge of Spies", but to see "War Horse" reduced to mere paragraph was the most disappointing aspect of the book.
After watching, I thought, almost all of his films for decades, I was shocked to know about what I had missed or not known that he had his hand in. Haskell has told the story in a very interesting way, making him so much less of a mystery. Dots were connected, failures and victories were given substance, even if I disagreed with her evaluation of one film or another. Makes me want to re-watch several, and I have seen many several times. His Jewish journey was a familiar story that made me consider my own, which was entirely different and has turned out to remain that way. Reading a film critic looking at her colleagues, past and present, was a satisfying experience.
Interesting way to present a biography. It did make me want to see even more Spielberg films.
This book was required for a film class. Though it wasn't something I'd read on my own. I found it to be interesting and well written. I like how the author intertwines Spielberg's life and his movies for a great read.
This was a very readable look at Spielberg's films.In a way, Haskell's approach reminded me of how James Agee discussed the films of Preston Sturges, in that both look for "mommy" and "daddy" movies in the director's career.Haskell is not uncritical of Spielberg. She recognizes his gift and how he has changed the culture, but she sticks to her opinions. Her readings of "Empire of the Sun," "A. I." and "Catch Me If You Can" are very thought-provoking.Haskell made me think about my general indifference to Spielberg. Apart from his "scary" movies such as "Duel," "Jaws" and "Jurassic Park," I don't really care for his work. I've seen a number of his films once, and that is enough. I prefer the work of Martin Scorsese, but it seems I "should" prefer Spielberg's work more. After reading Haskell on Spielberg, I attribute this to the fact that Scorsese accepts what he is and embraces it. (He is not afraid of happy endings.) Spielberg, however, definitely wants to please."Steven Spielberg: A Life in Films" is not a great book, but it made me think more than I expected to.
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